Atarangi Anderson
E noho ana au i te wā, 2026 Aute, muka, pāua, uku 1940 x 800
Pou whakamauāhua, ngā pātiki, 2026 & Pou whakamauāhua, ngā mata, 2026 (installation)
Pou whakamauāhua, ngā mata, 2026 Aute, muka, pāua 1730 x 380 (framed)
Whakamaua, 2026 Aute, muka sticking, paua 7000 x 900
Exhibited as part ofVanilla (2026) at Caption Seoul. Images courtesy of Caption Seoul and the Artist.
Whakamaua, 2026 (detail)
Ngā mata moana, 2025 Aute, paua, muka, aumoana 1885 x 955
Ngā mata aute, 2025 (installation)
Ngā mata aute, tahi, 2025 & Ngā mata aute, rua, 2025 (detail) Aute, paua, muka 585 × 515
Ngā mata aute - Hine, 2025 Aute, kokō framed in tung oiled pine 470 x 540
Tiki (kākaha), 2025 Aute, pāua, tānekaha 510 x 310
Anamata, 2024 Aute, kōkōwai 1200 x 1000
Te Ao Marama, 2024 Aute, pounamu, muka 1200 x 1100
Portrait of Atarangi Anderson, 2026. Photo: Ophelia Harradine Bayly
Atarangi Anderson (b.1993) descends from Te Aitanga a Hauiti and Ngāti Hauiti. She holds a Bachelor of Creative Enterprise and a Master of Creative Practice from Unitec. As a kiriaute practitioner, central to her practice is onamata and anamata as a methodology that centres the concept of non-linear time, encompassing connections between people and trees, and fostering a sense of reciprocity and balance.
Recent exhibitions include Crit: Art Learning since 1987 (Group Show - Artspace Aotearoa, 2026),Vanilla with Miryam Charles and Seungyeon Yi (Caption Seoul, 2026), Mau Āhua with Georgia Tikaputini Douglas Hood (Grace, 2026), Hine Whakamauāhua (Laree Payne, 2025), Ngā Mata Aute (Grace, 2025), and He Wahine, He Aute (Unitec, 2024).